A Date with Shirley

This colorful and cubist record of a Chinatown haircut is the final long-form work by the great avant-garde filmmaker Ken Jacobs, who died last October. As with his first film, Orchard Street (1955), made 70 years earlier, A Date with Shirley is a slice of New York City life that transforms urban energy into cinematic spectacle. Three cameras capture the action, one operated by...